Tags Galore

Quotes From Here And There

Albert Einstein
Any intelligent fool can make things bigger, more complex, and more violent. It takes a touch of genius - and a lot of courage - to move in the opposite direction.
Dylan Thomas
I fell in love – that is the only expression I can think of – at once, and am still at the mercy of words, though sometimes now, knowing a little of their behavior very well, I think I can influence them slightly and have even learned to beat them now and then, which they appear to enjoy.
Eddie Cantor
It takes twenty years to become an overnight success.
Edward Abbey
May your trails be crooked, winding, lonesome, dangerous, leading to the most amazing view. May your mountains rise into and above the clouds.
e e cummings
To be nobody but yourself in a world which is doing its best night and day to make you like everybody else means to fight the hardest battle any human being can fight and never stop fighting.
Eyler Coates
We've all heard that a million monkeys banging on a million typewriters will eventually produce a masterpiece. Now, thanks to the Internet, we know this is not true.
Friedrich Nietzsche
Without music, life would be a mistake.
Gustave Flaubert
The one way of tolerating existence is to lose oneself in literature as in a perpetual orgy.
Going to the Opera is like making love; we get bored but we come back.
Johann Wolfgang von Goethe
If I love you, what business is it of yours?
John Steinbeck
Only through imitation do we develop toward originality.
Lady Mary Wortley Montagu
There is no remedy so easy as books, which if they do not give cheerfulness, at least restore quiet to the most troubled mind.
Leonard Cohen
Ring the bells that still can ring;
Forget your perfect offering.
There is a crack in everything;
That's how the light gets in.
Montaigne
The greatest thing in the world is to know how to belong to oneself.
Paul Sweeney
You know you've read a good book when you turn the last page and feel a little as if you have lost a friend.
Peter Altenberg
I never dreamed of being Shakespeare or Goethe, and I never expected to hold the great mirror of truth up before the world; I dreamed only of being a little pocket mirror, the sort that a woman can carry in her purse; one that reflects small blemishes, and some great beauties, when held close enough to the heart.
Robert Frost
In three words, I can sum up everything I've learned about life: it goes on.
There's no money in poetry, but then there's no poetry in money.
Satchel Paige
Work like you don't need the money. Love like you've never been hurt. Dance like nobody's watching.
Thomas Mann
A writer is somebody for whom writing is more difficult than it is for other people.
V S Naipaul
The writer has only to listen very carefully and with a clear heart to what people say to him, and ask the next question, and the next.

My Personal Library


Showing posts with label Festival. Show all posts
Showing posts with label Festival. Show all posts

Be Careful, Tread Softly, You Are Living A Dream

That's the way I feel. I knew that I would try getting a novel published sooner or later. But this is much more than I'd expected. My Book Pitch got four publishers interested at The Kala Ghoda Arts Festival. And as expected, I'm over the moon.

I like the fact that I don't know where this may lead me. But I know that I've arrived and am here to stay. And I do not say this with arrogance, but with a calm solitude of the person who knows that he has found a calling worth cherishing for the rest of his life through thick or thin. In fact, I count the announcement being made at the David Sassoon Library as an apt omen for the commencement of my writing career.


I find my situation slightly strange, because most of the blogger-cum-writers I know usually have an agent who takes care of all the details that bother us writers, including finding a suitable publisher for the books. In fact, McKoala got an agent recently. And here I've four publishers interested, and I don't yet have an agent to take care of things. God bless me!

Here's a brief outline of the book pitch:
Set in the fictional world of Prince of Wales Medical College attached to Queen Elizabeth Memorial (QEM) Hospital, the novel revolves around the lives of its four central characters – Vinay Sengupta, Bhoomika Sen, Shyamsunder Chatterji, and Arnaz Eduljee.

Vinay is the son of a retired lieutenant colonel, who wants Vinay to join the army as a medical officer when he is done with his studies.

Bhoomika is the daughter of a rich beer baron and a classical singer. Her parents had separated when she was four years old and she has grown up with her mother.

With a banker for his father and a housewife for his mother, Shyamsunder is a bourgeois nerd whose only accomplishment to date is his admission to the prestigious medical school.

The only non-Bengali protagonist, Arnaz is the daughter of a small-time industrialist mother. From her, Arnaz has inherited the verve and vivacity which make her the cynosure of attention on all occasions.

Set amidst the turmoil of anti-reservation riots that flare up across the country, A Cure For The Doctor tells the story of these doctors grappling with the thrill of their newfound affections, the burden of their noble profession, and the apathy of an indifferent government.
Other successful book pitches may be found here.

This book is not the sort that I might normally write - it has more to do with plot and incident than with the literary novel of detached observations that I may be able to pull off easily. You could even classify it as chick-lit or lad-lit due to certain lightheartedness of the romantic plot. For me though, the attempt will largely be styloclastic, if the word exists. It will be a sharp deviation from the sort of literature I appreciate and that I might write in the future. It will be in fact like an illegitimate child with a history more colorful and intriguing than legitimacy can provide.

I wish to thank Peter Griffin, Jason Evans, Sarah Hina, and Amogh Bhole for helping make this possible for me in some way or the other.

I'm keeping my fingers crossed and waiting to see how things shape up. Meanwhile living the dream while it lasts...

The Kala Ghoda Arts Festival

This year's Kala Ghoda Arts Festival takes place from 2 February to 10 February, both days inclusive. The complete roster of events may be found here or here.
On behalf of the Literature section of the Kala Ghoda Arts Festival, the blog of the fest is hosted and literary contests held by Caferati, a global writers’ community with roots in all major cities of India and even outside the country. There is a huge effort to make the Literature events inclusive, to give aspiring writers a chance not just to listen to the established ones talk, but to actively learn from them, and to try their skills in contests and the like, to participate.
The festival hosts five literary contests this year, including one which could get you published. The deadline for all of them is 3 February, 2008, so hurry:
SMS Poetry
SMS Poetry has one simple guideline: The entire poem must be short enough to fit into a single 160-character SMS (blanks and punctuation marks count as characters and a line break counts as two). Always a big draw, this contest is now in its fourth year at the Kala Ghoda Arts Festival.
Flash Fiction
Flash Fiction (also called micro-fiction or short-shorts) presents a simple challenge: Tell a story with all the classical elements: a beginning, a middle and an end, a conflict and a resolution, a credible protagonist... but do so in a very limited number of words (not more than 300 words to be specific). Flash Fiction is now in its third year at the Kala Ghoda writing contests.
Poetry Slam
The Slam is about performance poetry. Poets get on stage and perform their work. The audience has a say in whether they stay or leave. Reality show style, except Slams predate reality television. The slam made its debut last year (the first in India, actually) to much enjoyment from the audience and the participants. It involves writing four poems on four assigned topics (this year's topics being Name, Place, Animal, and Thing) and performing them in front of judges and an audience.
Flash Essay
Making its debut this year, this contest widens the genres that Kala Ghoda contests cover, into the interesting area of non-fiction. The twist here is that the essays must, like everything else these days, adjust to the age of information overload: They must make their point in up to 500 words. We call them flash essays in a nod to the term flash fiction.
Open Book Pitch
This is a new idea, and Caferati's most ambitious. And this despite the fact that there are no guaranteed winners. The Open Book Pitch lets writers submit pitches to publishers and literary agents. (Some of the biggest names in Indian publishing including Penguin India, HarperCollins, and Random House India are signed up, as are some of the exciting newer ones like Siyahi.) The process is anonymous both ways: The writers do not have direct access to the talent scouts from the publishers and agents, and the scouts do not see any personally identifying information until they see something they like. The prize? A chance to be published.
There are three non-competitive events lined up.
The Open Mike
15 minutes for seven out of the nine days of the festival. The event mixes writing with performance. Each Open Mike session will have 6 slots of up to 2 minutes each. These slots are booked on a first-come-first-serve basis every day.
The Open Screen
15 minutes for seven our of the nine days of the festival. The event mixes the word with the visual arts. Participants submit 2-minute films via email. The organizers will choose the best films should we get more entries than time permits them to show.
The Open Wall
A pseudo wall will be erected at the venue. Audience members will be invited to leave their own writing to be displayed there. The organizers will also encourage email submissions.
And finally there are twelve writing workshops, conducted by prominent writers from all over the country.
Picture This (Graphic Story-telling)
Conducted by: Sarnath Banerjee and Samit Basu
The workshop, by two well-known pioneers in the field, will cover graphic stories and graphic reportage.
The Pastoral (Poetic Form)Conducted by: Ranjit HoskoteA master-class for city poets in the art of the poetic form known as the Pastoral, by well-known poet Ranjit Hoskote.
Little Pencils - for children (age 10 +)
Conducted by: Neeru NandaChildren's author Neeru Nanda works with the children, inculcating in them a love for story-telling.
Poetry in Performance
Conducted by: Jeet Thayil
Thayil, a prominent poet and a musician, will lead this master class on the art of performance poetry.
Once Upon a Time - Writing for Children
Conducted by: Jane Bhandari and Marilyn Noronha
How do you write for kids? How do you hold their attention? Two writers and poets who also teach children, lead this workshop.
What Every Writer should know about Publishing
Conducted by: Anita Roy
An editor from a prominent publishing house will tell budding writers all the secrets of making a good impression with publishers.
Writing for Stage
Conducted by: Anuvab Pal
This workshop by a playwright and film writer who has had his plays performed in the USA and India, will introduce participants to the nuts and bolts of playwriting.
PenTathlon - Five exercises for Fiction Writers
Conducted by: Kavita Bhanot
Fiction writing is always a big draw at Kala Ghoda. Here, a literary agent and trainer put budding authors through boot camp.
An Introduction to Freelance Writing
Conducted by: Kavitha Rao
A practicing journalist who writes for publications around the world teaches the basics of making a living as a pen-for-hire.
Writing for Screen
Conducted by: Manisha Lakhe
Writing for the screen is a different game, and you need to learn the rules. This workshop gets you thinking the right way.
The Art of Translation
Conducted by: Rimi B. Chatterjee
India is famous for the number of languages its citizens speak and write. And this workshop will cover the practical problems involved in the process of translation and the publication of translated work.
Poetry Appreciation for Children (10+)
Conducted by: Sampurna ChattarjiThis workshop will look at poetry as play. The attempt will be not to teach poetry, or even write poetry, but to experience poetry - with one's body, with one's senses, with sometimes an abandonment of logic and sometimes a rigorous application of it.
Looks like one jam-packed schedule to me!!! I'm going to be there at the festival. Are you?
 

Copyright © 2007 | All Rights Reserved | Best Viewed In Google Chrome With A Resolution Of 1024 x 768