Tags Galore

Quotes From Here And There

Albert Einstein
Any intelligent fool can make things bigger, more complex, and more violent. It takes a touch of genius - and a lot of courage - to move in the opposite direction.
Dylan Thomas
I fell in love – that is the only expression I can think of – at once, and am still at the mercy of words, though sometimes now, knowing a little of their behavior very well, I think I can influence them slightly and have even learned to beat them now and then, which they appear to enjoy.
Eddie Cantor
It takes twenty years to become an overnight success.
Edward Abbey
May your trails be crooked, winding, lonesome, dangerous, leading to the most amazing view. May your mountains rise into and above the clouds.
e e cummings
To be nobody but yourself in a world which is doing its best night and day to make you like everybody else means to fight the hardest battle any human being can fight and never stop fighting.
Eyler Coates
We've all heard that a million monkeys banging on a million typewriters will eventually produce a masterpiece. Now, thanks to the Internet, we know this is not true.
Friedrich Nietzsche
Without music, life would be a mistake.
Gustave Flaubert
The one way of tolerating existence is to lose oneself in literature as in a perpetual orgy.
Going to the Opera is like making love; we get bored but we come back.
Johann Wolfgang von Goethe
If I love you, what business is it of yours?
John Steinbeck
Only through imitation do we develop toward originality.
Lady Mary Wortley Montagu
There is no remedy so easy as books, which if they do not give cheerfulness, at least restore quiet to the most troubled mind.
Leonard Cohen
Ring the bells that still can ring;
Forget your perfect offering.
There is a crack in everything;
That's how the light gets in.
Montaigne
The greatest thing in the world is to know how to belong to oneself.
Paul Sweeney
You know you've read a good book when you turn the last page and feel a little as if you have lost a friend.
Peter Altenberg
I never dreamed of being Shakespeare or Goethe, and I never expected to hold the great mirror of truth up before the world; I dreamed only of being a little pocket mirror, the sort that a woman can carry in her purse; one that reflects small blemishes, and some great beauties, when held close enough to the heart.
Robert Frost
In three words, I can sum up everything I've learned about life: it goes on.
There's no money in poetry, but then there's no poetry in money.
Satchel Paige
Work like you don't need the money. Love like you've never been hurt. Dance like nobody's watching.
Thomas Mann
A writer is somebody for whom writing is more difficult than it is for other people.
V S Naipaul
The writer has only to listen very carefully and with a clear heart to what people say to him, and ask the next question, and the next.

My Personal Library


My Name Is Red by Orhan Pamuk

Title:- My Name Is Red
Genre:- Fiction
Subgenre:- Novel
Author:- Orhan Pamuk
Translator:- Erdağ M. Göknar
Publisher:- Random House
ISBN Number:- 0-375-70685-2
Price:- US $ 14.95/Canada $ 22.95/Rs. 220

The Blurb

At once a fiendishly devious mystery, a beguiling love story, and a brilliant symposium on the power of art, My Name Is Red is a transporting tale set amid the splendor and religious intrigue of sixteenth-century Istanbul.

The Sultan has commissioned a cadre of the most acclaimed artists in the land to create a great book celebrating the glories of his realm. Their task: to illuminate the work in the European style. But because figurative art can be deemed an affront to Islam, this commission is a dangerous proposition indeed. And when one of the master miniaturists disappears, the only clue to the mystery lies in the half-finished illuminations themselves. Part fantasy and part philosophical puzzle, My Name Is Red is a kaleidoscopic journey into the introspection of art, religion, love, sex, and power.

The Review

Easily the most talked about book of 2007, ‘My Name Is Red’ by the turkish author Orhan Pamuk has been in the limelight for all sorts of reasons. It has had the honour of being the most critically acclaimed work of Nobel Laureate Orhan Pamuk, as well as suffered ignominy at the hands of Turkish fundamentalists, leading to the prosecution of Turkey’s most fearless and talented living novelist.

The novel recounts the story of four master miniaturists engaged at the royal atelier in the creation of a commemorative story in verse, the Book Of Festivities to mark the thousandth anniversary of the Hegira. Their work is to illustrate and embellish the book in the Venetian style making use of the techniques of perspective and idolatry, which were at the time deemed an affront to Islam. When one of the master miniaturists protests, he is found killed at the bottom of a well. The quest for the killer played against the backdrop of sixteenth-century Istanbul and the tragic courtship of Black, a miniaturist and Shekure, Enishte Effendi’s daughter make for a compelling read.

Like all great novels, the unraveling mystery becomes a metaphor for the unfolding of human spirit and conscience. However, what is most remarkable about Pamuk and what sets him apart from his coevals is the extent of scholarship and omniscience that he commands. It places him as a Turkish master in the cohorts of Dickens, Proust and Mann - arguably the greatest writers of English, French and German respectively. Incidentally, Mann himself won the Nobel in 1929 for The Motion Mountain.

Though the theme of the novel concentrates on the philosophical questions of the need and importance of style and signature in the arts of painting and illustration, Pamuk manages to lighten the mood by using the motifs of Nusret Hoja and the upcoming coffeehouse. The latter is depicted as the cynosure of all depravity where dervishes dance late into the night and blasphemous stories are retold in a bid to pollute people’s minds.

Each book has its moments, and this novel is no exception. Perhaps the most poignant moment is the one when Master Osman, the head miniaturist of the royal atelier, cloyed by the sight of the most perfect of all paintings in the royal treasury, blinds himself with the same plume needle that the master of masters Bihzad had once used to blind himself. Also Nizami’s tale of Husrev and Shirin has been evoked a countless number of times, and to good use.

Pamuk manages to concoct a wonderful fantasy hemmed by melancholy and tragedy in a way nobody has ever done before. It is ironic that Pamuk who secretly advocates the futility of style in the book has inadvertently ended up creating a very realistic, spartan and distinct style all his own.

5 Comments:

    On November 27, 2007 at 7:36 PM Anonymous said...

    hi, that's a really good review of the book.
    I was thinking of writing a review of the book, myself, when i came across this.

    Excellent description, and background, on this novel, Abhinav. It's a fascinating premise, and I am tempted to pick it up. However, I still have Snow to get through first.

    Thanks for these beguiling reviews! :)

    @Nagaravind:- Thanks Nagaravind. Hope you write one of your own and I get to read it. :-)

    @Sarah:- What a coincidence!!! Even I'm ploughing through Snow. Let's compare notes after we are done. ;-)
    Thanks for the comments. :-)

    Ishq you really made my day. :-)
    Thanks a lot for the positive review and suggestions. I plan to delve into the technorati phenomenon right now. ;-)
    I had my semester exams going on and had little time to concentrate on my blog. Now I plan to return to blogging fulltime.

    On December 3, 2007 at 5:27 AM Anonymous said...

    This novel sounds fascinating. I'll have to add it to my list.

    In other news, December prompts are up at CafeWriting.com

 

Copyright © 2007 | All Rights Reserved | Best Viewed In Google Chrome With A Resolution Of 1024 x 768